: To what extend is the performance adapted to what you wish to transmit and express?Ī. It also reveals the public’s ability to join the idea of the ”Marvelous” and to adopt these strange beings coming from nowhere.ĭ.B. These first attempts make one curious of what will be the follow up to this work, because it questions the form of « performance » in choreography and visual arts. They are considered as Saints driven out of the Church and who need to be taken care of. Neither surprise nor rejection, but rather genuine caring and kindness. He was able to capture the rainbow of feelings on people’s faces. Robert Charlotte’s photographs beautifully highlight the episode. The reaction of the boss and his clients are surprising. They slowly penetrate the bar and sit at a table. The performer then involves his own body, in interaction with the public and in all kinds of unexpected spaces.ĭuring this performance, the two protagonists wearing a one-piece suit, have their eyes and mouth hidden by the fabric of the costume and have therefore lost most of their sensitive and expressive functions. On one hand, we have the choreographic performance with its implications in terms of studio rehearsals, of replay of the same sequence on the stage in front of the audience by a dancer who is not the author On the other hand, we have the performance, which often is a one shot performance, written before in the form of a score by the creative artist, who becomes the performer. This also allows the viewer to understand the path that each artist had to take in order to meet each other’s artistic world and practice. The collaboration between a visual artist and a dancer delimits the boundaries of performance and choreographic representation. The act of performance engages the body of the artist who becomes artistic material and seeks interaction with the public. Improvised or extensively developed, based on a score or a synopsis, it challenges the traditional codes of representation and refutes that art is exclusively embodied in an object. From this moment this artistic practice started to be popular.Īu stardust café It is a unique, transient, interdisciplinary, provocative and disruptive artistic form, produced beyond the conventional context. ![]() The Viennese actionist and feminist artists then seized the concept. The generic title, A smell of success, is full of promise Artistic performances emerged over the decade of 1960-1970 in the footsteps of a few precursors: the Futurists in Italy in the early twentieth century, the Gutai group in Japan, Jackson Pollock with his ”action painting”, Allan Kaprow and John Cage‘s happenings in the fifties. Photographs of Robert Charlotte and videos by Jean – Yves Adelo capture these performances. They performed for the inauguration of the Caribbean Festival of the Image at the Memorial ACTe and then during a residency at The Moule. To this date they have realized a dozen performative actions mainly in Guadeloupe. You could have a look on some vidéos at the end of this text Annabel Guérédrat, dancer and choreographer and Henri Tauliaut, visual artist partnered in recent months to create and complete artistic performances together.
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